美品青铜镜：古镜新光，品质之选

古人言：以铜为镜，可正衣冠，用以端正自身言行；唐代诗人李贺也曾用诗“双鸾开镜似秋光，解鬟临镜立象床。”描绘女子对镜梳妆的动人场景，铜镜集观赏价值和实用价值为一体，在唐代，铜镜到达了其发展史上的第三个高峰，不仅样式千变万化，工艺也频频创新，颇受唐人喜爱。海兽葡萄纹便是这时期匠人巧思的成果，盛唐气韵与西域文化的融合，神秘而华丽。今天我们便来会一会这异彩纷呈的“多谜之镜”。

我国在远古的时候，人们通过河流、水塘发现静止的水可以照人，于是慢慢延伸到最早期用陶盆盛水作为镜子照面梳妆打扮。铜器发明后，用铜盆盛水，鉴形照影。《说文·金部》释“鉴”为“盆”，所以说盛水的盆（鉴），就是最早的镜子。随着冶炼技术的提高，人们发现光滑的铜面能照人，商周时期开始试制铜锡和银铅等合金技术制作铜镜。

藏品介绍

中文名称：青铜镜

英文名称：Bronze mirror

类别：杂项

规格：三面

品相：美品

汉代四乳钉纹青铜镜：此铜镜四个乳钉纹极为突出，中间一圆形铜钮，形成了五行之势，阳刻神鸟，工字格，线条清晰，边缘一圈有如钱币内齿一样的纹路，整体十分精美，表面斑驳锈迹，颜色深浅不一层次分明，为开门古铜镜，符合汉代风格，具有极高的收藏价值。

宋代莲蓬青铜镜：整个铜镜看去就是一个莲蓬的造型，寓意吉祥，莲蓬中含有多个莲子，由于莲子和“连子”谐音，象征着多子多孙的意义，而且莲蓬和莲花的品性一样，还含有着纯洁的意思；由于莲蓬形状的独特美丽，排放整齐的莲子，完美刻画了佛教的形象美，有着一种庄严的魅力。”

此铜镜正反面氧化一致，有明显的贴骨绿绣，也有细微的红斑，所谓红斑绿绣无假货，而且绿绣颜色深浅不一，过渡自然，放大可见颗粒感，为十分开门的老铜镜。

古代铸镜技术，充分展示了工匠精神，在长期的生产中，不断积累铸造铜镜的经验，使技艺达到了娴熟的水平。他们用智慧和创造才能，创造出的许许多多精美绝伦的铜镜，使今天的人们在欣赏和研究这些精湛的艺术品时，不能不为古代的灿烂铜镜文化而赞叹。

宋代莲瓣纹铜镜：此镜内卫莲瓣纹，中阴刻一圈竖齿纹相隔，整体造型简单，形同玉璧，同时也具有驱邪，避恶，保平安的功效。铜镜正反面氧化一致，绿绣包裹局部露出底色，可见锈层之下是精品的铜镜材质，锈迹并不影响品相，可见其纹路清晰无磕，无残，具有极高的收藏价值。

铜镜是古人用来鉴容的生活用器。从战国时期开始较为广泛地使用，直至明清时期，基本上与中国古代封建社会相始终，绵延三千余年。两汉时期是我国古代铜镜发展史上的第一个高峰，标志着铜镜发展到一个新的阶段，与之前的铜镜相比有着很大差异。汉代的铜镜以其丰富多样的类型，精美的镜背纹样、内容丰富的铭文，精良的铸造技术，在中国古代铜镜发展史上占据着承前启后的重要地位。铜镜作为一种重要的和常见的文化遗物，蕴藏着丰富的文化内涵和历史信息，成为研究汉代社会历史和文化的重要的物质文化遗物，也为研究汉代社会生产力发展水平提供了可靠的依据。

这三面铜镜，历史悠久，品相完美，包浆老旧，三枚铜镜正对应了：以铜为镜，可以正衣冠；以史为镜，可以知兴替；以人为镜，可以明得失。三枚铜镜时间跨度极大，能可保持完美品相，实乃是上天的眷顾，三枚一组，相得益彰，具有极高的收藏价值。

英文翻译：The ancients said: with bronze as a mirror, can be dress, to correct their words and deeds; Tang Dynasty poet Li He also used a poem "Shuangluan Opening mirror like autumn light, the solution of the mirror standing like a bed." To depict the moving scene of women's dressing and dressing on mirrors, bronze mirrors have integrated ornamental value and practical value. In the Tang Dynasty, bronze mirrors reached the third peak in their development history. They not only changed in styles, but also frequently innovated in techniques, making them popular among People in the Tang Dynasty. The grape pattern of sea beast is the result of craftsman's clever thinking in this period. The combination of the charm of tang Dynasty and the culture of western regions is mysterious and gorgeous. Today we will come to meet the colorful "mirror of many mysteries".

In ancient times in China, people found that still water could shine on people through rivers and ponds, so they gradually extended to the earliest time when they used water in pottery basin as a mirror to look at their faces and make up. After the invention of copper, with copper basin holding water, the shape of the shadow. "Shuo Wen · Jin Bu" interprets "jian" as "basin", so the basin (Jian) holding water is the earliest mirror. With the improvement of smelting technology, people found that smooth copper surface can shine, the Shang and Zhou dynasties began to trial production of copper tin and silver lead alloy technology to make copper mirror.

The collection is introduced

Chinese name: Bronze mirror

English name: Bronze Mirror

Category: Miscellaneous

Specification: three sides

Appearance: Beautiful

Han dynasty bronze mirror: four nails grain four nails lines is very outstanding, the bronze mirror in the middle a circular brass knob, formed the five elements, Yang carved birds, h, the line is clear, like the teeth inside the edge of a circle is like a coin of the grain, the whole is very exquisite, mottled rust on the surface, color shades distinct, to open the door of ancient bronze mirror, in line with the style of han dynasty, has a very high collection value.

Bronze mirror of Lotus blossom in Song Dynasty: the whole bronze mirror looks like a lotus blossom, which means good luck. There are many lotus seeds in lotus blossom. Because lotus seed sounds like "lian Zi", it symbolizes the meaning of having many children and many grandchildren. Due to the unique beauty of the lotus blossom shape, the well-arranged lotus seeds perfectly depict the image beauty of Buddhism, which has a solemn charm.

This bronze mirror both sides oxidation consistent, there is obvious stick bone green embroidery, there are also subtle red spot, the so-called red spot green embroidery is not fake, and green embroidery color different shades, natural transition, magnify visible grain sense, very open for the old bronze mirror.

The ancient mirror casting technology fully demonstrates the spirit of craftsmen. In the long-term production, the experience of casting copper mirror has been accumulated, which makes the technique reach a skilled level. With their wisdom and creative ability, they created a great number of exquisite bronze mirrors, so that today's people can not appreciate and study these exquisite works of art, but for the ancient splendid culture of bronze mirrors.

Bronze mirror with lotus petal pattern in Song Dynasty: this mirror with lotus petal pattern inside is separated by a vertical tooth pattern engraved in the shade. The overall shape is simple and looks like jade, and it also has the effect of dispelling evil spirits, avoiding evil and keeping peace. The two sides of the bronze mirror are oxidized in the same way, and the local background color of the green embroidery package is revealed. Under the rust layer, the quality of the bronze mirror is visible. The rust does not affect the product phase, so its lines are clear and without damage and residue, which is of extremely high collection value.

The bronze mirror is a utensil for ancient people to use in life. From the Warring States Period to the Ming and Qing Dynasties, it was widely used for more than 3,000 years, basically consistent with ancient Chinese feudal society. The Han Dynasty was the first peak in the history of the development of ancient Bronze mirrors in China, which marked the development of bronze mirrors to a new stage. It was very different from the previous bronze mirrors. The bronze mirrors of the Han Dynasty played an important role in the history of the development of ancient Bronze mirrors in China because of their rich and varied types, exquisite patterns on the back, rich inscriptions and excellent casting techniques. As an important and common cultural relic, bronze mirror contains rich cultural connotation and historical information. It has become an important material cultural relic for studying the social history and culture of the Han Dynasty, and also provides a reliable basis for studying the development level of social productivity of the Han Dynasty.

These three bronze mirrors have a long history and perfect appearance. They are old and wrapped in slurry. The three bronze mirrors are corresponding to each other. Take history as a mirror to know the rise and fall; One can judge gain and loss by looking others in the mirror. The three bronze mirrors have a great time span and can keep the perfect phase, which is really the blessing of Heaven. Three bronze mirrors in a group bring out the best in each other and have a very high collection value.